Musical Chairs

In many ways the euphony world reflects the changing attitudes and ideologies of societies nearly the globe. Prior to the 1860s, primarily European classical music and composers reign the music world. Around this date a saucy fix of music began emerging through the spiritual songs of African slaves in the Confederate American states. These spirituals were used to keep time duration the slaves were bound together for work and transport, thus avoiding pickings a wrong step or making an haywire vogue and injuring each other. Spirituals sometimes contained messages, which could be used as shunning instructions passed easily during daily chores. After the abolishment of slavery in 1865 the purpose of spirituals changed slightly, but the deep African root remained.         After a period of trans seduceation this change alsok causation in what we know as federation bang, a bounce common to the southern states, Louisiana in particular. At prefator ial due south slam was seen as the tool of the devil that revoke people with its hypnotic melodies. This movement in music was too seen as a lower class form of entertainment, and those of higher(prenominal) complaisant classes rarely attended functions where such music was performed. A later, and more(prenominal) widely accepted, form of Dixieland was tabloid, made public by numerous well-known music composers in the 1920s and 30s.

Ragtime was very much composed for just clarinet and piano, and was quieter that traditional Dixieland. At the hot crash of Ragtimes popularity both it and Dixieland beg an Page 2 expanding beyond the southern po! rtion of the United States taking root in banging cities like New York and Chicago, where the music evolved to match its environment. The urban jazz of the late 1930s and early 40s was often more dirty than Dixieland or Ragtime had been. New composition and combination styles were universe tried. The blues note... If you want to get a full essay, rate it on our website: OrderCustomPaper.com

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