Modern Collegiate A Cappella Essay -- Music Art Cultural Essays Histor

Modern collegial A CappellaIntroduction A cappella is a relatively young craft progress to that is catching the interest of many people across the race. The general movement is believed to consider been started in 1909, when part of the Yale Glee Club bust off and formed the Yale Whiffenpoofs, the first collegiate a cappella group the Whiffenpoofs comprise to this day, and the a cappella movement has only grown in popularity.Throughout the warmness decades of the 20th century, professional a cappella groups attracted a lot of attention for their renditions of popular songs. As this new progressive style caught on, the a cappella art form evolved from its roots in harmonically complex barbershop quartets into a more modem and freely structured type of music. The trend-setting groups remained attentive to musicality, but left behind the inflexibleness commonly associated with barbershop performance. Songs like Mr. Sandman, by the Chordettes, and It Wont Be Very Long, by t he reason Stirrers, showed people that a cappella could be exciting and also that it could tackle a multitude of musical genres. The next big developments in a cappella came on the collegiate front. While professional groups retained their popularity, their numbers did not accession much toward the end of the 20th century. On the other hand, the number of college groups skyrocketed during this uniform time period. According to the Mainely A Cappella websites history of a cappella, since 1989, there have been about 20 new groups formed at schools across the nation every year. 1 This paper suggests that the reason for the drastic spike in collegiate interest in a cappella is because students began to realize the wide background of creative expression that can be achieve... ...ed methods of making music.3 extension from Michael Kendalls Philosophy of medicament Education. See reference list. Works Cited1.Bethel College Website. Michael Kendall, Philosophy of Music Education.http/ /www.bethelcollege.edu/acadb/und s/finearts/music/phil.htm.2. Hemsley, Thomas. Singing and Imagination. Oxford University Press. 1998.3. Mainely A Cappella website. A Century of A Cappella. http//www.a-cappella.corn/misc/history.php.4. Sawyer, Keith. Group Creativity Music, Theater, Collaboration. Lawrence Erlbaum Associates, Publishers. 2003.5. Singer, Irving. Feeling and Imagination The Vibrant Flux of Our Existence. Rowman & Littlefield Publishers, Inc. 2001.6. Schoenherr, Steve. record Technology History. http//history.acusd.edu/ mmldi ital.7.Ward, Finke, Smith. Creativity and the Mind. Plenum Press. 1995.